(biologist - artist - queer)

  • tea
  • anime
  • tabletop

You’re the only magician that could make a falling horse turn into thirteen gerbils

  • 0 Posts
  • 13 Comments
Joined 1 year ago
cake
Cake day: June 10th, 2023

help-circle




  • The fact this has 40 up votes right now makes me feel like lemmy is losing a diverse user base. Like, where are the women to down vote this obviously shitty take?

    Let’s list some reasons why these women could have done this that aren’t “women are sluts for clown daddies”:

    • he’s their boss, and leveraging his insane power over them to make it hard to say no and keep their job
    • he’s just an extremely powerful man and they’re afraid of pissing him off
    • they have insecurities, (like the “loser cuck” fallacy!) that they aren’t valuable or desirable as partners, and attention from someone as powerful as him feels like affirmation of their value even if they don’t like him or he treats them badly
    • they understand that, by not resisting his advances, they might be able to provide themselves a link to a financial source that could support them and a child
    • he literally sexually harasses, assaults, or rapes them and they don’t feel like they can criminally pursue one of the richest men in the world

    Like, yeah, some of them might be individuals who have bad taste in men or are shitty people themselves. I’m even certain that some of them are! But damn, can we take the perspective of the woman for one second? It’s not a good look to find yourself agreeing with incels on the internet


  • I feel like this is true if the reader is meant to have the perspective of the person who feels that something is magic (the Hobbits, in the example from your video). However, not all magic in fiction is like this, and sometimes the reader is supposed to mostly have the perspective of Galadriel, or to gain her perspective over time.

    An example is Lev Grossman’s The Magicians. The reader has the perspective of the Hobbits at first, because that is the perspective of the main character. But the story has themes of “lifting the veil” of magic, and by the end both the main character and the reader have a more similar perspective to Galadriel.

    I guess what I mean is, I agree with you and the video’s author in large part… but like… to broadly say that magic “should” be used in literature in a certain way ignores how it can be used in different ways to great effect!




  • stoneparchment@possumpat.iotomemes@lemmy.worldWait, not like that
    link
    fedilink
    arrow-up
    8
    arrow-down
    1
    ·
    6 months ago

    Just because it isn’t as bad a joke would imply doesn’t mean it still isn’t really quite bad

    Base 12 vs base 10 is pretty much the only objective advantage of USC, and it only uniquely occurs in USC for small construction-scale tasks (i.e. the inch-to-foot scale).

    I don’t think people critiquing USC are unaware of what this video is saying. We just think it’s still worse.

    source: 8th gen American who would rather switch to SI





  • I think they’re making the claim that if we’re looking at “varience”, variety, etc. then pf1e has more overall variability. Pathfinder does it with a combination of classes and archetypes, where 3.5e does it with just classes. I don’t think they made the explicit claim of there being more classes in pf1e by overall number.

    I find that instead of pathfinder having more “classes” by number, it feels more honest about what is a class and what is a subclass/archetype. Imo, many 3.5e classes would be archetypes in pathfinder, as they fit your definition of “instead of x, you get y” without much substantial difference. And likewise, in my experience playing different archetypes in pf can produce vastly different player experiences (some archetypes and classes more than others, for sure).

    All of this is pretty subjective, though… and I personally haven’t heard anyone making fun of 3.5e for lacking classes, compared to either pf1e or 2e, but it could happen!