Lemmy technically doesn’t hide your likes - the interface might not show you, but all your likes are public in the Fediverse. Kbin, when I used it, would show which users upvoted/downvoted a post. That’s important because it means researchers and OSI people can still do fact finding - Twitter doesn’t like the idea of having to be open even if it’s a requirement (albeit to researchers specifically) in the EU now.

It gets worse since a lot of old people vote for heavy conservative parties

This is shifting in (at least) three countries - Norwegian, British, and American millennials aren’t turning to vote for the right wing parties, instead are keeping their trend of voting left. Other countries like Italy have the opposite problem, where even younger voters are starting to vote for the right wing parties. It’s kind of tangential but I think it’s good to point out that we’re seeing exceptions to this rule.

I get where you’re coming from, but I don’t think even more private property is the answer here. This is ultimately a question of economics - we don’t like that a) we’re being put out of jobs, and b) it’s being done without our consent / anything in return. These are problems that we can address without throwing even more monopolosation power into the equation, which is what IP is all about - giving artists a monopoly over their own content, which mostly benefits large media corporations, not independent artists.

I’d much rather we tackled the problem of automation taking our jobs in a more heads on manner via something like UBI or negative income taxes, rather than a one-off solution like even more copyright that only really serves to slow this inevitability down. You can regulate AI in as many ways as you want, but that’s adding a ton of meaningless friction to getting stuff done (e.g. you’d have to prove your art wasn’t made by AI somehow) when the much easier and more effective solution is something like UBI.

The consent question is something that needs a bit more of a radical solution - like democratising work, something that Finland has done to their grocery stores, the biggest grocery chains are democratically owned and run by the members (consumer coops). We’ll probably get to something like that on a large scale… eventually - but I think it’s probably a bigger hurdle than UBI. Then you’d be able to vote on what ways an organisation operates, including if or how it builds AI data sets.

I sympathize with artists who might lose their income if AI becomes big, as an artist it’s something that worries me too, but I don’t think applying copyright to data sets is a long term good thing. Think about it, if copyright applies to AI data sets all that does is one thing: kill open source AI image generation. It’ll just be a small thorn in the sides of corporations that want to use AI before eventually turning them into monopolies over the largest, most useful AI data sets in the world while no one else can afford to replicate that. They’ll just pay us artists peanuts if anything at all, and use large platforms like Twitter, Facebook, Instagram, Artstation, and others who can change the terms of service to say any artist allows their uploaded art to be used for AI training - with an opt out hidden deep in the preferences if we’re lucky. And if you want access to those data sources and licenses, you’ll have to pay the platform something average people can’t afford.