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Joined 1 year ago
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Cake day: October 13th, 2023

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  • No one wants to scale enough to compete.

    I don’t consider scale important from the perspective of making and watching good videos. People get hung up on it when citing barriers to competition with Youtube, and while it’s certainly there, it only matters to Google itself (so it can continue to plausibly lie to its customers about ad impression numbers). In fact YT’s offering was at its creative peak when scale was lacking.

    It makes no difference to me whether a knowledgeable hobbyist has 20,000 subs or 250,000. I don’t care about their “content” suitability for advertisers (that creepy term can get nuked). I certainly couldn’t care less whether the algorithm promotes their work, deserving as it may be. This sort of creator operates on the assumption their viewers are intelligent, and is typically savvy enough to route around YT with alternate donation/support mechanisms. These people will continue on any platform. For them, quality is an end in itself rather than a feed-in to a metric. I would rather watch a badly filmed insightful critical appraisal of a new piece of hardware than Canadian/Black Technology Man’s 8K press release rehash full of slick cuts and pointless b-roll.

    Scale is the concern of middlemen.





  • In addition to reducing the volume of waste being created

    That will amount to a cynical coercion of the public in some way. I’m being forced to work for free in the form of sorting waste at point of disposal, and worrying about fines, all so that industry’s line can continue going up. So that plastics production growth can largely continue on trend. Paper and plastic recycling are like cycling up the hill of environmental conservation in top gear. Loads of pedal revolutions that (ultimately) only slow the rate of decline back down the hill.

    If the product has a high energy cost involved in new production, that’s when industry actually does the right thing. Aluminum is a great example. Generous deposit schemes are found all over the world. They’re voluntary and well managed. But paper and plastic are cheap to manufacture by comparison, and the costs can be passed through to the consumer, so industry and government conspire to do just that (the mechanisms of which are then greenwashed).











  • Banding and blocking are associated with low bitrates. Bitrate is a key consideration in video encoding. Either it is constant, where you set a value of 2000 kbits, 5600, etc. and Handbrake sticks to it, or variable, where you set a quality rate factor, and Handbrake then adjusts bitrate on the fly to maintain quality X. Variable approaches will provide an average bitrate.

    Occasionally DVD sources will compress really inefficiently: no matter how much bitrate you throw at it, the encoded result is substantially worse than source. But typically I’ve found RF 18-21 does a good job. I use mediainfo to ascertain bitrates and other information.

    I pulled these settings from a DVD profile I made. They go in the ‘More Settings’ box

    bframes=16:ref=16:fast-pskip=0:dct-decimate=0:aq-mode=2:aq-strength=1.0:qcomp=0.65:me=umh:me-range=32:psy-rd=0,0:deblock=-3,-3