I wish pirate streaming operations a speedy death.
I wish pirate streaming operations a speedy death.
No one wants to scale enough to compete.
I don’t consider scale important from the perspective of making and watching good videos. People get hung up on it when citing barriers to competition with Youtube, and while it’s certainly there, it only matters to Google itself (so it can continue to plausibly lie to its customers about ad impression numbers). In fact YT’s offering was at its creative peak when scale was lacking.
It makes no difference to me whether a knowledgeable hobbyist has 20,000 subs or 250,000. I don’t care about their “content” suitability for advertisers (that creepy term can get nuked). I certainly couldn’t care less whether the algorithm promotes their work, deserving as it may be. This sort of creator operates on the assumption their viewers are intelligent, and is typically savvy enough to route around YT with alternate donation/support mechanisms. These people will continue on any platform. For them, quality is an end in itself rather than a feed-in to a metric. I would rather watch a badly filmed insightful critical appraisal of a new piece of hardware than Canadian/Black Technology Man’s 8K press release rehash full of slick cuts and pointless b-roll.
Scale is the concern of middlemen.
Assume for a moment the platform providers are in a game of chicken, continually eating costs in the hope of soaking up subscribers from their (at some point) defunct competitors. Every year this competition continues, the victor needs to make increasingly outrageous changes to the service offering in order to bridge the profitability gap. Or perhaps they are betting that a chunk of savings will come from reduced spend on rights, in a market with fewer bidders for programming?
Are investors in the conglomerates even agitated yet?
Pixel Pirate II Hollywood Trailer https://yewtu.be/watch?v=cdK0RoO5hpY
I need conclusive Lemmy anecdata on a key question: is Quebecois French considered antiquated by continental (both European and African) French speakers? Are the differences subtle or not?
In addition to reducing the volume of waste being created
That will amount to a cynical coercion of the public in some way. I’m being forced to work for free in the form of sorting waste at point of disposal, and worrying about fines, all so that industry’s line can continue going up. So that plastics production growth can largely continue on trend. Paper and plastic recycling are like cycling up the hill of environmental conservation in top gear. Loads of pedal revolutions that (ultimately) only slow the rate of decline back down the hill.
If the product has a high energy cost involved in new production, that’s when industry actually does the right thing. Aluminum is a great example. Generous deposit schemes are found all over the world. They’re voluntary and well managed. But paper and plastic are cheap to manufacture by comparison, and the costs can be passed through to the consumer, so industry and government conspire to do just that (the mechanisms of which are then greenwashed).
Masculinity no longer has any acceptable outlets.
You need more training in corporate risk management, grasshopper! AP/AtProto isn’t a revenue opportunity, it’s a potential front for which they’ll need to have a battle-ready product and brand. Ever heard the saying ‘engagement is containment’?
Sound advice, but if this article is any indication, corporate web2 now anticipates garbage. The junk presumably gets backfilled with their best attempt at quality data where it can be found. It true, it invites potential contributors to think carefully about their opsec.
Advertisers can pay more to stay in the room than you will realistically pay to have them expelled.
I suspect a lot of users with silly warnings in their profile like OP described haven’t bothered configuring their Upload/Download preferences. The tools for managing slot numbers and queue scheme (round robin v. FIFO) are all there.
Has it occurred to you that commerce might see advantage in weaponizing the Streisand effect?
Telemetry, advertising, etc. are ultimately web page elements that I can download or block. The paid offering might have a TOS that requires acceptance of such, but those terms do not bind me as a free, public visitor. I think Youtube is doing its best to have people buy its nonsense argument, as part of a wider campaign to shift the public’s understanding of web site versus web service. For what it’s worth, I don’t see them ever putting their money where their mouth is by pay-walling the whole site.
Alternative frontends don’t fall under piracy by any definition. Youtube’s servers are publicly accessible.
Banding and blocking are associated with low bitrates. Bitrate is a key consideration in video encoding. Either it is constant, where you set a value of 2000 kbits, 5600, etc. and Handbrake sticks to it, or variable, where you set a quality rate factor, and Handbrake then adjusts bitrate on the fly to maintain quality X. Variable approaches will provide an average bitrate.
Occasionally DVD sources will compress really inefficiently: no matter how much bitrate you throw at it, the encoded result is substantially worse than source. But typically I’ve found RF 18-21 does a good job. I use mediainfo to ascertain bitrates and other information.
I pulled these settings from a DVD profile I made. They go in the ‘More Settings’ box
bframes=16:ref=16:fast-pskip=0:dct-decimate=0:aq-mode=2:aq-strength=1.0:qcomp=0.65:me=umh:me-range=32:psy-rd=0,0:deblock=-3,-3
Care to demonstrate ‘looks worse’? Are visual artifacts showing up? Are the sources DVD or BD? What encoding speed is in use? What special parameters are specified (More Settings box) in the video tab?
THEY KNOW
SHUT IT DOWN
The threats are what keep us alert, circumspect and fleet-footed in our use of web technology. Always have done.
Are you trolling? No enterprise would ever compete with free. They will scream for an onerous legislative solution, which will make all our lives more difficult.